Ballade No. 4 in F minor, Op. 52, was made up in 1842 in Paris and Nohant and revised in 1843. The work was committed to Baroness Rothschild, better half of Nathaniel de Rothschild, who had actually invited Chopin to play in her Parisian residence, where she introduced him to the upper class and nobility. Inning Accordance With Robert Schumann, this Ballade was inspired by Adam Mickiewicz’s poem The 3 Budrys, which informs of 3 bros sent away by their daddy to look for treasures, and the story of their return with 3 Polish bride-to-bes.
An expression in the dominant major (marked piano) opens the seven introductory steps and leads into the very first subject of sonata-form exposition, a melody with Slavonic pigmentation. The very first theme goes through four cumulative changes with decors, counter-melodies, counterpoint, and a nocturne-like fioritura. The development of the second style and its linking with the first increases the complexity of the musical structure and develops tension. Through the intertwining and thus the simultaneous advancement of the two styles, Chopin successfully integrates using both the sonata form and the variation kind. The body of the piece concludes with a series of accented fortissimo chords, followed by a momentary calm of five pianissimo chords. This then unexpectedly leads into an incredibly quick, rough coda, written in exuberant counterpoint. Structurally Ballade No. 4 is distinctly complex.
Ballade No. 4 in F Minor Op. 52 by Chopin Free Musical Piano Sheet PDF Download
A distinguishing feature of the fourth Ballade is its contrapuntal nature. Counterpoint is found only sporadically in Ballades Nos. 1 and 2. The 4th Ballade is musically more subtle than the other three, as most of its portions stay melancholic and extensive. Although there are some significant outbursts in the central sections of the music, the coda reveals its greatest momentum.
Of the four Ballades, it is thought about by many pianists to be the most hard, both technically and musically.
Inning Accordance With John Ogdon,” it is the most exalted, extreme and sublimely effective of all Chopin’s compositions … It boggles the mind that it lasts only twelve minutes, for it contains the experience of a lifetime.”
|Name Translations:||Balada em Fá menor; バラード第4番; Ballada op. 52; Ballata n. 4 op. 52; Ballade Nr. 4; Ballade No. 4 in F minor, Op. 52; Balada para piano n.º 4 en fa menor op. 52|
|Opus/Catalogue Number:||Op. 52|
|I-Catalogue Number:||IFC 8|
|Year/Date of Composition:||1842 (revised 1843)|
|Dedication:||A Mme. la Baronne C. de Rothschild (Charlotte de Rothschild, 1825–1899)|