Chopin made up the Impromptu in F sharp major, Op. 36, in 1839, not long after beginning his relationship with Aurore Dudevant (George Sand). The piece was first printed in Leipzig in 1840.
Chopin starts the Impromptu in F sharp major with a gadget he utilizes in numerous other works: it starts with an intention that has melodic attributes, however eventually shows to be accompanimental. In this case, 6 measures of a concept happen in the left hand before another voice enters in the right, inverting the instructions of the left-hand voice. Exactly what is most intriguing is that the reiterated D sharp – C sharp at the end of this right-hand expression likewise appears in the first 2 measures of the left-hand phrase. The second half of the theme is a flamboyant, six-measure expression with a prominent dotted figure. Chopin repeats this set of concepts, transposing the second of the two and extending it with a chordal passage that functions as a shift to the main area.
Free Piano Musical Sheet PDF Download Impromptu F sharp Major Op. 36
In D major, the central area uses the dotted figure from the A section in the bass to underpin a melody that slowly ends up being thicker and more strong over leaping octaves in the left hand. This liquifies rapidly, heralding the return of the first style, which begins, oddly, on F major, eventually returning to F sharp. The coda, as lengthy as the music that precedes it, starts with one of Chopin’s technically spectacular passages. The extremely fast scales and turns of the right-hand line are provided a basic accompaniment, enabling the listener to totally focus on the incredible method needed to perform the right-hand passage.
|Name Translations:||Impromptu op. 36 (Chopin); Impromptu no. 2 in F-sharp major, op. 36; 即興曲第2番 (ショパン); Impromptu n.º 2 (Chopin); Improvviso n. 2 op. 36; Impromptu núm. 2|
|I-Catalogue Number:||IFC 32|
|Year/Date of Composition:||1838-39|