Mazurkas, Op. 59 are a set of three Mazurkas for solo piano by Frédéric Chopin. The set was composed and published in 1845.
Although Chopin spent the majority of his adult life Paris, his roots were Polish. In homage to his homeland, he established 2 categories of music, the polonaise and the mazurka. The mazurka takes much of its kind from the native folk songs and dances of Poland, particularly the Mazur, the Kujawiak, and the Oberek. The unusual rhythmic patterns and irregular accents offered the basis for 57 mazurkas in overall, each special in character and texture. Because of the various sources of inspiration for the mazurka, each piece is a various mix of a number of components of rhythm, consistency, pace, and mood. This specific genre, more than other, encouraged Chopin to modify and experiment freely. Unlike a lot of his other mazurkas collections, the pieces of Op. 59 do not contrast significantly among themselves. They share similar characteristics and textures, perhaps implied to combine the collection. The very first piece in the set is highly chromatic, warm and rich in melodic and contrapuntal subtleties. It works as a tender picture, the ending as unassuming as the opening. Pleasant and good-natured in its character, the 2nd mazurka features an abundant exchange between hands, a hallmark of Chopin’s mature design. This piece ends with a rising, winding lyrical line, which appears to vanish into the clouds. Looking like a polonaise, the third structure is worthy and waltz-like in character. Having explore various contrapuntal devices, Chopin consists of chromaticism, as well as some fascinating coming down chromatic chords in the accompaniment.
Classical Piano Musical Sheet PDF Download Chopin Mazurkas Op. 59
Mazurka in A minor, Op. 59, No. 1
Mazurka in A minor is the opening piece of the set. This extremely chromatic Mazurka conveys a warm and reassuring portrait, it concludes with an ascending melody.
Mazurka in A-flat major, Op. 59, No. 2
Mazurka in A-flat major is the 2nd and shortest of the Op. 59 mazurkas, lasting around 2 and a half minutes.
The piece starts with a memorable primary style that Chopin differs from time to time in order to preserve the piece’s interest. The trio section of the piece is extremely similar to the primary theme, supplying little contrast. The piece concludes with an interesting coda, loaded with accidentals and chromatic harmonies and finishing on a tonic chord, duplicated 4 times.
Mazurka in F-sharp minor, Op. 59, No. 3
Mazurka in F-sharp minor, the final piece of the set, is referring to an oberek, a national Polish dance much faster than a mazurka. The piece begins with a remarkable and powerful tune, the second style is somewhat more cheerful than the first. The left hand accompaniment of the piece explores coming down chromatic consistencies, although this does not impact the melody which stays specified throughout the piece.
|Name Translations:||Mazurkas, Op. 59; マズルカ作品59 (ショパン); 3 Mazurche op. 59; Masurques op. 59|
|I-Catalogue Number:||IFC 56|
|Year/Date of Composition:||1845|