Chopin’s piano music can be detailed, as in the ballades or nocturnes, or can simply check out the series of a certain category, as in the scherzos and waltzes. Some categories, such as the mazurka, both explore official boundaries and reflect sensations related to specific places. The mazurkas bring into play Chopin’s early years in Poland and the different classical and native forms of music which affected the young composer. Folk dances such as the Mazur, the Kujawiak, and the Oberek, served as designs for the mazurka.
A few of the pieces really draw straight upon one specific dance type, however a lot of are an amalgamation of lots of active ingredients. Although some of the mazurkas have a noticeably Polish taste, other examples of this category merely recommend, through subtle accents and balanced referrals, the original source of inspiration. Furthermore, each composition is an unique and personal reflection of the author’s memories of Poland. The later mazurkas of Chopin show the maturity of the author’s style. In addition, the mazurkas Op. 63 might recommend a maturing of the author’s emotional technique to the music as well. The opening Vivace is rhythmic and filled with rustic flourishes, contrasted by disturbances of a rather simple melodic idea. There is much repeating throughout, with accents on the second and 3rd beats, and a sensation of animation and excitement contrasting with warmth and simplicity. The 2nd piece of the collection, marked Lento, is melancholy and pensive in its character. The mastery of lyricism one would get out of Chopin is certainly present, in addition to subtle nuances within the inner voices. The last mazurka of the set is a real Kujawaik, with its sluggish, singing taste. The innocent, bittersweet, expressive, melody line works together with innovative contrapuntal gadgets and textural experimentation to develop a mournful, intimate mini.
Download Chopin Mazurkas Op. 63 Classical Piano Musical Sheet PDF
|Name Translations:||Mazurkas, Op. 63; マズルカ作品63 (ショパン); 3 Mazurche op. 63; Masurques op. 63|
|I-Catalogue Number:||IFC 57|
|Year/Date of Composition:||1846|
|First Publication:||1847 – Paris: Brandus / Leipzig: Breitkopf und Härtel|
|Dedication:||Laura de Czosnowska|